Sunday March 10th 3.00
Mark Viner (piano)
Beethoven: Sonata in C# minor Op 27 no 2 ‘Moonlight'
Schumann: Fantasy in C op 17
Alkan: Grande Sonate Op 33 ‘Les quatre âges'
Admission free with retiring collection. No tickets issued beforehand
Mark Viner is recognised as one of the most exciting British concert pianists of his generation. His playing is notable for its individuality, tonal allure, musical integrity and technical mastery. He began playing at the age of 11 and two years later, he was awarded a scholarship to enter the Purcell School of Music. There he took lessons with Tessa Nicholson for the next five years. Another scholarship to him to the Royal College of Music where he studied with Niel Immelman for six years and graduated with both first class honours in a Bachelor of Music degree and a distinction in Masters of Performance. He has given acclaimed performances at London's Wigmore Hall, St. John's Smith Square and Royal Academy of Art. Engagements in his hometown of Oxford include recitals at the Jacqueline du Pré Music Building and a public masterclass with Lang Lang at the Sheldonian Theatre, while earlier in the year he was invited to play for the Royal visit of H.R.H. Prince Charles, later making his début with the Oxford Philomusica Orchestra at the Sheldonian Theatre under the batôn of Marios Papadopoulos.
After being awarded 1st Prize at the C.V. Alkan – P. J. G. Zimmerman International Piano Competition in Athens, invitations abroad have continued to flourish. While having travelled for concerts at the Achilleion Palace of Corfu and the Megaro Moussikis of Athens, his official début in the Hellenic capital was hailed by the press as the most important musical event of 2012. Following his Athenian triumph, he was elected Honorary Board Member and Special Music Advisor of the C.V. Alkan – P. J. G. Zimmerman International Music Association as well as Honorary Member of the Gina Bachauer International Music Association. Awards received in previous years include a bursary from The Countess of Munster Musical Trust and the Sarah Mundlak Memorial Prize for Piano which he received for having gained the highest mark in the year for his final recital in the Royal College of Music.